The Post is not heavy-handed with social commentary on feminism or demonizing any of the presidents complicit in the deceptive decisions of the Vietnam War and it doesn't bury the audience in details. Tom Hanks and Meryl Streep perform their roles with the right amount of emotion and director, Steven Spielberg doesn't employ the usual political intrigue tropes of black vans, cat and mouse danger in an underground parking lot with a car skidding off into a menacing night.
The Post is an allegory, for such a time as this, when the integrity of news reporters and outlets is being attacked for taking a critical view of political leadership. There is a clear wiki-leaks conversation embedded in the film as well as the very real concern over the financial solvency of news outlets and the sometimes dubious position reporters and outlets find themselves in when they confuse authentic friendship with staged acquaintances for news stories.
Yet, for all of that delicate balance - it lacked the necessary tension for it to be riveting and emotionally engaging. To be honest, I fell asleep off and on - I was bored. The pacing was soooooo slow and the music a bit too melodramatic, although there were a few nice camera angles.
The Post is a didactic pledge of allegiance to journalism in its purist form and as a call to action it succeeds. This is what made me post a must-see on Facebook. However, my friends and I took a picture in front of the drab poster for The Post and the black, white and grey captures the tone of the movie.
Despite my less that enthusiastic response to the movie, it does remind me that during the time period the movie was made neither FB, nor blogs existed, but the attempt to quell or manipulate the truth is older than Machiavelli.